You would have to go a long way to hear better duo playing than this”

— The Whole Note, May 2017

Join us for the National Parks Project!

July 2025

In 2025, Icelandic composer Veronique Vaka approached Rita and said she wanted to write a piece for viola solo based on the "National Parks" paintings of Icelandic artist Arngunnur Ýr. These paintings combine famous landmarks in both US and Iceland's national parks. We decided to commission a whole program of pieces based on National Parks and perform them in the national parks!   We approached composers who we felt either have a known connection to national parks, or whose music is epic and evocative of majestic and awe inspiring landscapes.  The world premiere took place at the Grand Teton Music Festival July 7 and 12 on their "On the Road" series, surrounded by views of the Grand Teton herself. A subsequent performance of some of the works was in Orkney, Scotland, at composer (and Master of the King's Music) Errollyn Wallen's house festival. Come back here to check for dates for the Iceland premiere of the complete program!

The composers: Veronique Vaka, Hildigunnur Rúnarsdóttir, Errollyn Wallen, Elena Ruehr, Anne Guzzo, Stephen Gryc, Ken Steen


 

Latest review!

From AMERICAN RECORD GUIDE January/February 2021 (p. 178) 

The Newest Music II BOYD 

Threaded Sky 

Thomas, Sheng, Mirzaee, Penderecki Miller-Porfiris Duo—MilPo 4818—41 minutes 

From the first measures of Augusta Read Thomas’s dazzling Rumi Settings the virtuosity of this duo is radically apparent. Usually I speak mostly about the works themselves (I’m often reviewing premiere recordings) but let me get truly poetic about the Miller-Porfiris Duo—they deserve it. Violinist Anton Miller’s double stops at the beginning of IV are faultless and thick. And violist Rita Porfiris’s soulful lines in Thomas’s Silent Moon are wholly perfect: they’re weighty and are wrapped in a vibrato that generates a warmth of resonance yet never overpowers. Their performance of Penderecki’s Ciaconna in Memoria Giovanni Paolo II is so perfectly in tune that the overtones flesh out the sound in a way that feels like we’re listening to much more than just two instruments. The duo makes the tricky harmonics in Bright Sheng’s Angel Fire I stand out like the jewels I’m sure he wrote them to be, and the exciting, jagged rhythms in Angel Fire II are executed without a hitch. Mani Mirzaee’s Wight of Shadows is one of the most charming and satisfying uses and performances of col legno battuto I’ve heard, and the hairpin dynamic at the end of this tiny movement is such an admirable moment of consummate musicianship for this to end on. This disc is in the top ten of all albums I’ve reviewed.

THREADED SKY

Released March 2020

The collected violin/viola duo works of Augusta Read Thomas, the premiere recording of Bright Sheng’s “Angel Fire,” Penderecki’s Ciaconna in Memoria, and the premiere recording of Mani Mirzaee “Wight of Shadows.”